NEW LINES is a stripped-back and spare series of re-imagined jazz standards. Swiss saxophonist Christoph Irniger and pianist ...

Following the two pre-cursors to this project that were unveiled in 2025, Nicola Conte and Nico Lahs finally unveil their ...

It would be difficult to overestimate what Immanuel Wilkins has achieved in barely six years on Blue Note. The Upper ...

To understand the gravity of what Paul Harrison has attempted on Encontros, you first have to reckon with Egberto Gismonti ...

There are independent labels, and then there are tastemakers. London’s DeepMatter has, over the past few years, quietly ...

With Empathy, Aberystwyth-born trumpeter and composer Tomos Williams brings the curtain down on his Cwmwl Tystion trilogy, an ...

I came to Pedro Ricardo by accident. Cantar das Kadakinhas, from his 2023 debut Soprem Bons Ventos, surfaced somewhere in my ...

Well, here’s a thing. A baritone saxophone trio album. No piano, no harmonic safety net, just air, rhythm, and nerve. On “Big ...

Bitchin’ chords, You just need two notes to make ‘em, And they don’t even need to be the right ones.” Rad Berms is the debut ...

With three years now having passed since the band’s self-titled debut, Psyché make their triumphant return with the ...

Some records arrive politely. The Elevator Child, the third album from Australian experimental-folk duo Meatshell, prises the ...

There are albums you listen to, and then there are albums you inhabit. MOLS – The Mols Booklet of Melodies belongs firmly to ...