A leading light of the independent space is returning to the fray with news on Tuesday that Arianna Bocco, the former ...
Voltage Pictures has taken a majority stake in fellow international sales and finance company The Exchange as it continues to ...
Disney has rejigged its leadership in EMEA with company veteran and global theatrical distribution head Tony Chambers ...
Studiocanal has boarded Cedric Klapisch’s time-jumping family drama Colours Of Time (La Venue De l’Avenir) about cousins who ...
The Sundance festival has added Andrew Jarecki and Charlotte Kaufman’s The Alabama Solution and Bao Nguyen’s The Stringer to ...
See-Saw Films and Samantha Strauss’s joint venture indie Picking Scabs has hired a Jungle Entertainment and Fremantle ...
Gints Zilbalodis tells Screen how his dialogue-free animation Flow proved to be a learning experience in more ways than one.
Sister's Jane Featherstone wants a tiered tax credit system to help lower-budget high-end TV as well as production in the ...
Goteborg Film Festival has unveiled the programme for its 48th edition, with 22 feature world premieres and four feature ...
Q&A: How artificial lighting and Steadicams helped create the operatic visuals of ‘Emilia Perez’
The film was shot entirely in a studio and more than 400 shots have a blue screen somewhere, according to Guilhaume.
The film was shot entirely in a studio and more than 400 shots have a blue screen somewhere, according to Guilhaume.
The film is produced by Germany’s Dragonfly Films with Mexico’s Meli Melo, the UK’s Randan, Romania’s Framebreed and Germany’s Ostlicht. Leonora In The Morning Light is mostly English-language with ...
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